A arma secreta para Big Daddy Game
A arma secreta para Big Daddy Game
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[13] Jack works his way to the bathysphere, but Ryan destroys it before Jack can reach it. Infuriated, Atlas has Jack fight his way through various districts toward Ryan's lair, forcing Jack to contend with Rapture's deranged citizens along the way, such as the surgical doctor J.S. Steinman and artist and musician Sander Cohen.
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[170] Several games were chosen by the Smithsonian's curators; when the public voted for additional games they felt deserved to be included in the exhibition, BioShock was among the winners.[171]
The submarine is revealed to be carrying nuclear missiles, with Tenenbaum claiming that Jack has "stolen the terrible secrets of the world":[16] The more Little Sisters Jack harvests throughout the game, the harsher and more furious Tenenbaum's narrative becomes.[17]
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Plasmid use consumes a serum called EVE which can be restored using EVE syringes collected by the player or by consuming cigarettes and alcohol.[18] The player has a health meter that decreases when they take damage. The player can restore their health with food or medical packs found throughout Rapture. If the player's health is reduced to zero, they will be regenerated at the last Vita-Chamber that they passed with limited amounts of health and EVE. A patch for the game allows the Vita-Chambers to be turned off, requiring players to restart a saved game if the character dies.[19]
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[46] In the 2018 interview, Levine recognized several of the characters, including Andrew Ryan (who was inspired by Ayn Rand who was also Jewish), Sander Cohen, and Brigid Tenenbaum, were written all as Jewish, and all seeking to escape a world they felt they did not fit into by going to Rapture; Levine said: "'There's literal displacement and then there's a feeling of not fitting in, of 'I don't really belong here'. I think Jews are always going to feel a little bit like they don't belong wherever they are. There's always that 'what if we have to flee' mentality."[46]
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In February 2011, the Smithsonian Institution announced it would hold an exhibit dedicated to the art of video games.
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A visit to the GE Building and its statue of Atlas in New York City was the primário idea that led to the art deco stylings of BioShock. The thematic core of BioShock was born when Levine was walking at Rockefeller Center near the GE Building in New York City. He saw the uniqueness of the art deco styling of the building along with imagery around the building such as the statue of Atlas near it, and recognized that these were spaces that had not been experienced in the first-person shooter genre.[28] The history of the Rockefeller Center also fed into the story concept; Levine noted how the center had started construction prior to the Great Depression; when the primary financiers had pulled out, John D.